Gender and Crime Statistics

The latest available figures are from Women and the Criminal Justice System 2019, published by the Ministry of Justice in November 2020.

The figures show that women commit less crime than men, and less serious crimes than men.

This is an important update for the gender and crime topic which makes up part of the A-level sociology crime and deviance module.

There are approximately equal numbers of men and women in the population as a whole, but 85% of people arrested are male, around 75% of those prosecuted are male and 95% of people who go to prison are male, meaning women only make up 5% of the total prison population.

Both the male and female crime rates seem to have been declining over the last five years of statistics, with fewer men and women being dealt with by the criminal justice system.

The male crime rate does seem to be declining faster than the female crime rate, with the female crime rate seeming to level off somewhat more recently.

Men Commit more serious crimes than women (I)

‘Indictable offenses’ in the darkest blue below are those more serious offences dealt with by the crown court. Men are twice as likely to be on trial for an indictable offence compared to women.

78% of males are in court for summary (less serious offences) compared to 90% of women, and men are more likely to on trial for motoring offences!

Men commit more serious crimes than women (II)

The chart below shows you that for the more serious, indictable offences such as violence and robbery, men commit around 85-90% of these, but for sexual offenses 98% of offenders are men, only 2% are women.

The most equal in terms of gender are fraud offences and summary non-motoring offences….

Women only make up 5% of the prison population

This is related to their committing less crime and less serious crime than men, although some sociologists (read on!) have argued this is because the courts are more lenient towards women (others argue it’s the opposite, saying the course are harsher towards women.

People Centred Development Applied to Gender

People Centred Development Theorists favour small-scale ‘ground up’ projects which focus on improving aspects of the day to day lives of women. They point out that women in developing countries are more than capable of promoting gender equality themselves, from the ground up, and don’t necessarily need the help of the World Bank or the United Nations.

There are thousands of small-scale and localised initiatives to promote gender equality worldwide as the BBC’s 100 women 2020 conference demonstrates.

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To my mind the BBC 100 women project is a prefect example of a gender focused People Centred approach to development – it champions women who are tackling gender related issues unique to their own localities and/ or interests, and in some very different ways.

These are very varied but here are just a few examples….

The Limitations of People Centred Approaches to tacking gender inequalities

These approaches may be too small scale to have a national and political impact.

It might require some kind of national or international ‘big institution’ co-ordination to get to the ‘root cause’ of something like sex-trafficking.

Related Posts

Modernisation Theory Applied to Gender and Development

Dependency Theory Applied to Gender and Development

Radical Feminism Applied to Gender and Development 

SignPostin

The Gyaan Centre:

The Gyaan Centre is a new school for girls soon to be opened in Rajasthan, India.

Rajasthan is one of the most conservative states in India, with women and girls still being limited to very traditional roles – many girls are still married off early and then their only prospect is to be tied to their husband and household as wives and mothers.

This is reflected in Rajasthan’s extremely low female literacy rate, which is currently under 60%.

However, thanks to the new Gyaan Centre, 400 girls a year will now be provided with the opportunity to receive an education.

The Gyaan Centre, school for girls in Rajasthan, India

This isn’t a typical school, because the founders realised they would have to work within local norms in order for the school to stand any chance of success, so it isn’t just offering a ‘standard’ academic style of education of its pupils.

It is also going to be offering training in local crafts such as dyeing yoga matts to the mothers and aunts of its pupils and have a craft market aimed at the tourists who frequent the local area (or at least did before Covid-19, but no one could have predicted that!)

This is an interesting example of how a development project has to be rooted in local culture in order to stand a chance of being a success (assuming it will be of course!) rather than just being imposed by the West, and thus being irrelevant.

It’s also a nice reminder of how students shouldn’t generalise about the level of development in any country, especially one such as India with a population of one billion people.

While India has seen rapid economic development over the past decades, gender equality lags behind, and in certain regions, such as Rajasthan it is particularly poor, hence the need for targeted local development projects such as this.

You can find out more about the school by reading this Guardian article.

This information should be of interest to any student studying the Global Development topic in A-level sociology, relevant to both gender and education.

The Incredible Sexism of James Bond

I’ve been watching a few of the old James Bond movies since they’ve been on ITV recently. A few weeks ago I watched ‘Live and Let Die’ which was the first outing for Roger Moore, and originally aired in 1973, my birth year!

Besides being surprised that I didn’t remember most of it (I thought I’d seen enough Bond in my childhood to have these committed to memory!) I was pretty shocked at the incredible sexism of the movie.

This movie is a further example of just how sexist representations of women in the media were 50 years ago, there are other examples outline here.

I know that ‘classic Bond’ is well known for its dismal portrayal of women as nothing more than one dimensional sex-objects, but Live and Let Die must be a low-point for female representation.

Besides Miss Money-Penny there are only two other ‘significant’ female characters in the movie – both of whom James has sex with, and both of whom are rescued by James, although one of them dies.

Rosie Carver – a hapless double agent who Bond beds just before she dies

We’re introduced to Rosie Carver when Bond arrives in The Caribbean. She’s been assigned to help him, but she’s useless, being scared of snakes and not really having a clue what’s going on.

She resists his advances on their first night, but later on, when they’re approaching Tenanga’s Caribbean island hideaway, they pause for lunch and have sex (I know, it doesn’t make any sense whatsoever.)

Afterwards, Bond reveals that he knows she’s working for Tenanga and has been tasked with drawing him into a trap – she looks shocked and says ‘why tell me now after what we’ve just done’ – to which James replies something like ‘well I certainly wouldn’t have told you before’, or something like that.

She runs away and dies shortly afterwards – I guess now James has ‘had a go’ she’s not much use anymore anyway.

Solitaire – a virgin victim of slavery who Bond rapes

Solitaire (Jane Seymour) is a psychic medium being held captive by the main villain of the film – Tenaka, an opium dealer. Tenaka uses here psychic powers to help him make decisions about how to run his criminal empire – she’s a virgin, crucial to her having her psychic powers.

The first contact James has with her, when he falls into Tenaka’s Lair in the basement of a restaurant in New Orleans, he gets her to to do him a Tarot card reading, and the ‘lovers card’ is revealed, ‘that’s us’ he quips.

Fast Forward to later in the movie, when Solitaire is back on the isolated Caribbean Island which is Tenaka’s main base, James hanglides onto the island and sneaks into her chambers to enact a rescue, but not before manipulating her into having sex with him.

He gets her to choose a Tarot card, she picks ‘the lovers’ (note the paper-thin sub-plot) and they go and have sex – but a ‘cheeky’ camera shot reveals that James had stacked the entire Tarot deck with nothing but that one card.

So what we have here is James manipulating a virgin victim of modern slavery into having sex with him, I think that’s technically rape of a vulnerable adult, given that Bond deliberately used her beliefs against her to manipulate her into having sex with him, I don’t think we can call this informed consent.

Of course she wakes up wanting more, now sexually addicted to James. And of course all the while they’re in bed, they could have been escaping!

NB – Jane Seymour was 21-22 when the film was shot, Roger Moore was in his late 30s.

Relevance to A-level sociology

I know this example is almost 50 years old now, but it’s a particularly pertinent one to show just how bad sexual-stereotyping was in the early 1970s – Live or Let Die actually made a joke out Bond raping a vulnerable teenager held in slavery, as well as turning into part of his ‘masculine identity’.

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A History of Working Class Women’s Rights

Back in Time for the Factory is a really useful documentary series from the BBC which explores how working class women’s working rights have changed since 1968.

The documentary consists mainly of ‘historical reenactment’ in which a number of ordinary women (and some men) go into a garment factory in Wales and work as women would have done through the last few decades.

This real life historical re-enactment is supplemented with interviews with older women who really lived through the 1960s, 70s and 80s, and with footage of news clips which document significant events – such as the various strikes which women organised in order to get equal pay.

The documentaries might be a bit long-winded to watch in their entirety, but selected clips will certainly give you a feel for the gender inequalities in the workplace in the late 1960s, how women campaigned for equal pay (with very little support from men early on) and how employers tried to dodge paying women the same as men by re-grading certain jobs after the initial equal pay acts of the 1970s!

You can watch various clips from the BBCs’ web site here.

A history of working class women’s rights

50 years ago, Britain was a manufacturing powerhouse, with an astonishing 34% of the population working on a manufacturing production line. Factories mostly employed women – hundreds of thousands of them, who made our clothes, telephones and televisions.

The factories were centred on areas of high unemployment like the south Wales valleys and by employing so many women and girls they were at the forefront of a change in British society. But the women who would drive that change were poorly paid, unfairly treated and denied basic rights.

Women’s Working Rights 1968-1972

Starting in 1968 when 85% of all our high street clothes were made in the UK, the women experience the realities of working life for women in these three crucial decades – from the excitement of being out in the work place to the pressures of ever increasing targets, the camaraderie of the factory floor and fun-filled evenings at the social club. Most eyeopening of all is the contents of their wage packets – revealing to our modern workers the deeply ingrained attitudes towards women’s work as inferior and helping them understand what galvanised a generation to fight for change.

The workers start their journey in 1968, when The Beatles and Tom Jones are topping the charts, Labour’s Harold Wilson is Prime Minister and big hair abounds. It is also the year the female strikers of Dagenham brought the Ford factory to a standstill and the question of women’s pay into the headlines. Their first task is to produce pink nylon petticoats – a staple of British women’s wardrobes in an era when only 30% of houses had central heating. The reality of the production line is a rude awakening for many – long monotonous hours with short breaks and few distractions – a situation made worse for some of our women when they discover that it’s legal to refuse to serve an unaccompanied woman in a public bar.

But that is far less of a shock than the moment they open their pay packets and realise some of them are being paid less than half the rate of the men on the factory floor.

Women in the Factory 1973-1975

The second episode starts in 1973, but even though the Equality Act had been passed in 1970, the women discover that things are still far from equal on the factory floor as the factory bosses had been given five years to bring in the changes.

The workers also get to experience the upsides of factory work – enjoying the range of clubs and activities which factory bosses supported while manufacturing was still thriving.

1976-1982

Episode three starts in 1976 when the Sex Discrimination Act had been passed and the Equal Pay Act had finally come in to force the year before.

However, by 1976, women were still earning only 74 per cent of the male hourly rate as employers all over the country found loopholes to avoid paying women more.

Feminism is in full-swing in the mid 1970s and the women have to decide whether they will strike for further equality in an age of uncertanity, navigating the world of pickets, banners and crossing the line.

Off the production line, the factory holds its own beauty pageant – an event companies all over Britain would have been happy to support as part of social life of the workplace. No beauty contest was complete without the glamour of the swimsuit round, and our factory pageant is no different. But how will the modern women feel about parading in their swimming costumes?
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Working women… 1983 Onwards

The fourth episode starts in 1983, four years after Margaret Thatcher came to power. While that event may make you think that women have achieved equality, the working class women in the Welsh factories had another fight on their hands in the 1980s – the fight for their jobs in the age of neoliberalism!

Feminist perspectives on increased domestic abuse during Coronavirus lockdown

Lockdown saw a significant increase in Domestic Abuse cases, according to this Guardian article.

According to the F-Word, the charity refuge reported a 7000% increase in calls to its abuse helpline just three weeks into lockdown, and Karen Ingala Smith, who tracks the number of women killed by men, reports a near three fold increase in female by male deaths during lockdown compared to the same period in previous years.

Why did we see an increase in Domestic Abuse cases during Lockdown?

According to Feminist analysis (and in classic sociological style) this is the wrong question….

Being forced into lockdown intensifies any relationship, and so those relationships that are already abusive will become more so, it’s almost as if there’s nothing to explain here!

The problem, according to the F-word, with how some media outlets have reported the increased rates of DV is that they seem to use the virus as a mitigating factor, almost blaming it, rather than the violent men, for the abuse.

The fact is that most of those women who had to turn to support services, or were killed by men during Lockdown would already have been in an abusive relationship for several years – so Lockdown was just an exacerbating factor, not the cause, so using Lockdown, or the virus more generally as an explanatory factor is kind of letting men off.

This reminds us that we should remember that rather than something unusual, this spike is really providing us with a window – it is making more visible the violence that is already going on for the female victims unfortunate to be involved in it.

What we need to be thinking of is not so much reasons for the spike, but reasons why some men are violent in the first place, and of course holding them to account!

Related posts

This is an update to ‘good resources for researching domestic abuse‘ and should be of use to students studying both the families and households option and Crime and Deviance within A-level sociology.

The Gender Gap in Education

In 2022 girls still tend to do better than boys in GCSE, A-levels, BTECs and are much more likely to go to university.

The gender gap in education refers to the fact that girls get better GCSE and A level results than boys in practically every subject, and women are much more likely to go to university than men.

The rest of this post provides more specific statistics on the relationship between gender and educational achievement at different levels focussing mainly on data from 2022.

GCSE results by gender, 2022 

The 2022 GCSE results show a 5.7% gender gap, with 52.5% of girls and 46.8% of boys achieving grade 5 and above in GCSE Maths and English (1)

The gender gap at GCSE has reduced slightly since 2019, when the gap was 6.6%, the last comparable year since that was the last time students were assessed by examination rather than teacher awarded grades during the two covid years when there were no exams.

Interestingly the gender gap increased to 9.2% points in favour of girls in 2020, the first year of teacher awarded grades, before narrowing again in 2021. This suggests to possible evidence of teachers stereotyping girls favourably compared to boys by increasing their grades relatively more, but unfortunately this theory remains a theory and is difficult to prove!

The GCSE gender gap varies by subject

There is considerable variation in the gender gap at GCSE by subject in 2022 (2)

  • Maths is the only subject where there is no gender gap – with 65% of both males and females achieved grade 5 and above.
  • The gap is small in double science, at only 3.6% points
  • It slightly larger in geography and history, with gap being 5.6 and 6.4% points respectively.
  • One of the largest gender gaps is in English with the achievement gap being 13%.

The gender gap has reduced slightly for some subjects in recent years. For example, in 2019 16% more girls than boys got ‘good’ grades in English.

However in maths, girls have closed the gap on boys. In 2019 boys actually outperformed girls in maths by 0.5%.

Ebacc Entries by Gender

Girls are 9.9% points more likely to be entered for the Ebacc compared to boys.

in 2022 43.8% of girls were entered for the Ebacc compared to only 33.9% of boys. The gap has narrowed since 2019 but only very slightly.

Students must be studying the more traditional classic academic GCSE subjects including English and English Literature, Maths, the sciences, Geography or History and a language and achieved a grade 5 or above in all of them to attain the Ebacc qualification.

The fact that girls are more likely to be entered than boys reflects the fact that a higher proportion of girls are doing mainly classic, academic GCSEs compared to boys, which are widely regarded as more difficult and are correlated with higher achievement in further and higher education.

A-Level Results by Gender

At A-level, there is only a 3.9% point gap in the A*-C achievement rate between girls and boys.

In 2022 83.9% of exam entries by girls achieved grades A*-C compared to 80% of boys.

The gender gap for A-A* grades is slightly less with 36.9% of girls compared to 34.7% of boys achieving A-A* in their exam entries.

HOWEVER, boys are much less likely to do A-levels than girls (3)

  • 423 355 A-level certificates were awarded to females in 2022.
  • 353 270 A level certificates were awarded to males in 2022.

As with GCSEs there is considerable variation in the gender achievement gap at A-level by subject. For example:

  • In Maths 79.9% of females achieved grades A*-C compared to 77.6% of boys
  • In Psychology 82.2% of females achieved grades A*-C compared to only 71.3% of boys.
  • In Sociology (the fifth largest subject by exam entry at A-level in 2022) 83.6% of females achieved grades A*-C compared to 77.4% of males.

The Education Policy Institute (4) has produced this wonderful infographic where you can explore the relationship between subject entry and achievement at A-level by Gender:

It shows us that subjects such as Maths and Economics have similar male-female attainment levels, and boys do better than girls in Further Maths, Chemistry, French, Spanish, German, performing arts and music at A-level.

Although relatively few boys take languages at A-level and the numbers of boys taking performing arts is especially small.

BTEC entries and results by gender

The numbers of males and females sitting BTECs are similar, with just under 60 000 entries for both males and females in 2022.

There are (unsurprisingly?) some fairly stereotypical trends in subject choice. Health and Social Care is dominated by females while Sport and IT are dominated by males.

In terms of BTEC results, there is a similar pattern as there is for GCSEs and A-levels with girls generally being more likely to get higher grades than boys (5).

For example in the BTEC National Certificate for Business, 21.4% of females achieved a distinction star compared to only 15% for boys. In Health and Social Care and Sport, more than twice the amount of females achieved a Distinction star compared to boys in 2022.

University Entries by Gender

43% of 18 year old females entered university through UCAS in 2022 compared to only 32% of males (6)

There has been a significant increase in the number of females applying and being accepted to universities in recent years. There has been an increase in the number of both males and females applying to university, but the rate of increase has been twice as rapid for females since 1994.

Between 1994 to 2022 there was a 140% increase in the number females applying to university, but only a 77% increase in the number of males.

Between 2010 to 2022 the increases for females and males were plus 19% and plus 11% respectively.

The Gender Gap in Education: Conclusions

There remains a persistent gender gap at every level of education with girls doing better than boys on average at GCSE, A-level and BTEC and being much more likely to go to university.

There are, however, a few subjects at A-level where boys outperform girls, most noticeably in terms of numbers Chemistry, and in terms of status, Further Maths, but these are very much exceptions to the historical trend of girls doing better than boys.

Where university entry statistics are concerned, the gender gap is even widening in favour of females!

Signposting

This material is mainly relevant to the education topic within A-level sociology and serves to establish the fact that there is still a discernible achievement gap by gender in education, which can be explained by gender differences in society and by differential gendered experiences of education within school.

Sources

(1) Gov.uk (accessed January 2023) Equalities Insights from the 2022 GCSE results.

(2) Joint Council for Qualifications (accessed January 2023) GCSE Results 2022.

(3) OFQUAL 2022 A-level results analysis, accessed January 2023

(4) The Education Policy Institute: Analysis Level 3 Results Day, 2022.

(5) Pearsons (2022) BTEC Nationals Results 2022.

(6) House of Commons Research Briefing (2023) Higher Education Numbers.

Class, gender and ethnicity and your chances of getting to university…

How does your social class background, your gender and your ethnicity influence your chances of getting into university?

There are still huge variations in the types of student who make it to university, if we analyse the Department for Education’s Higher Education data by ‘Free School Meals’ (a proxy for social class), gender and ethnicity. This update should be of clear relevant to the education module within A-level sociology.

We can see from the table above that there are stark differences by pupil characteristics.

  • 82% of non Free School Meal Chinese girls make it to university, compared to only 2% of girls of Free-School Meal Traveler of Irish Heritage background.
  • The above chart is very effective in showing the ethnic differences in university students, and with some interesting variations by FSM status – Black African FSM girls seem to do particular well, for example.
  • It’s also interesting to note that ‘White British’ students come very near the bottom of the table, with figures of around 40% HE participation for non FSM students, but only around 20 average for FSM White British pupils. The reason for singling out White students here is that the majority of pupils are white, so these figures are going to have most impact on the national average statistics.

The University FSM gap

There is still an 18.6% gap in Higher Education participation by Free School Meal status, this has decline by almost 1.5% points in the last decade, but this is slow progress!

The University Gender Gap

TBH I’m somewhat surprised to see the gender gap continuing apace, and it seems to be a steady increase year on year!

Other Higher Education inequalities

The latest report (see link below) also highlights inequalities by region (the biggest gap is in the South East, the smallest in London) and by Special Educational Need. See below for more details!

It also looks at the differences for ‘high tariff’ universities (the ones which ask for higher grades) which show starker differences.

Widening Participation Targets

The Office for Students has been campaigning to get universities to widen participation by reducing the above gaps. Most universities have in fact pledged to try and half some of these gaps by 2025 for example – if they succeed this would mean only a 10% gap between FSM and non FSM pupils.

However, this would mean fewer middle class students getting into university, assuming that more places are not created.

Sources/ find out more

Department for Education – Widening Participation in Higher Education

Keeping Women out of Prison

Why do women offend, reoffend and how do we break the cycle?

This recent Positive Thinking Podcast on radio 4 (30 December 2019) explores why women offend, reoffend and how to break the cycle.

It has obvious relevance to the Crime and Deviance module and this is also an excellent example of a Feminist inspired programme, with the focus on stories rather than stats and solutions rather than causes.

Women make up a tiny proportion of the overall prison population and are twice as likely as men to be given a short sentence (of two years or less). However, the reoffending rates for women given short sentences is around 70% compared to men’s which is 20%.

It’s suggested that short prison sentences hit women a lot harder than men, especially the 50% of them who have children. A short sentence is just enough to mess up their lives and break down their social and emotional support networks, but not enough time for them to receive the structured support/ therapy that might help them break out bad habits such as substance abuse, for example.

The programme is co-presented by an ex-offender, Whitney, who has had 10 convictions for offences such as drugs and carrying weapons, and has spent time in jail. The programme focuses a lot on her story about why she started and continued offending ( rather than focusing on statistics) but its real focus is on solutions.

Whitney’s case is presented as ‘typical’ and it’s pretty bleak (well worth a listen first five mins of the podcast) – she was abused as a four year old by someone known to the family, and taken into foster care at 7 years of age along with here siblings, then spent the next several years in various foster homes, making 47 run-away attempts during that period. She was also excluded from multiple schools.

Eventually the authorities let the siblings go back and live with their mother, it seems because of their belligerence, but rows happened between Whitney and her mother, and that’s where her criminal record started. However, it was getting caught carrying a knife that led to her first jail sentence – she never used or drew the knife, just carried it for self defence, and she didn’t actually get a jail sentence for carrying it – she got sent down for failing to stick to the restrictions but on her as part of her remand-sentence – interfering with her tag and staying out clubbing after curfew.

She describes going to jail for 2 months as something which ‘broke her’ – she says she saw women going and coming back during that time, saw and learnt things that maybe she never should have.

Probably the most interesting section is when Whitney asks ‘could I as a four year old stopped myself from being abused? Could I as a 7 year old stopped my siblings being taken into care?’

The answer – ‘Probably not’ reminds us that Whitney is actually a victim of abuse, and that’s the root cause of her offending behaviour, so maybe being tough on such people by giving them prison sentences is not the right answer, especially when the stats show that prison does very little to break the cycle of offending.

Solutions – breaking the cycle of offending

The show looks at three projects working on solutions – one of the most interesting is a hair dressing salon in Dagenham, Essex, in which one enterprising woman trains ex offenders and drug users in level one hair dressing.

Part of the reason this works is that hairdressing is very social, and so it gives the students a connection to ‘normal’ life – and the feeling that ‘other people’ are interested in them – one student referred to didn’t have that as all she’d ever known was abusive relationships.

This project is really about going back to the very basics and just giving women the building blocks to structure their lives, and it seems to work – out of more than 40 people who took the course, only 3 didn’t complete it – 1 died and 2 went back to their own ways.

It’s worth mentioning that are some obvious links to left realist criminology here!

There are two other solutions mentioned, but I’ll let you listen to this excellent podcast to find out about them, it really is well worth a listen!

Representations of men in the media

This post focuses on traditional representations of men as reinforcing aspects of hegemonic masculinity before considering some of the changes to male representations in more recent years.

Traditional representations of men reinforce hegemonic masculinity

Traditional representations of men have ascribed certain attributes to male characters such as strength, power, control, authority, rationality and lack of emotion. In other words, media representations of men have reinforced hegemonic masculinity.

Gilmore has summarised this even more simply, arguing that the media stereotype men into ‘the provider, the protector and the impregnator’.

Violence as a normal part of masculinity  

According to Earp and Katz (1999) the media have provided us with a steady stream of images which define violence as an ordinary or normal part of masculinity, or in their own words….

“The media help construct violent masculinity as a cultural norm. Media discourse reveals the assumption that violence is not so much a deviation but an accepted part of masculinity”.

Wider representations of men and masculinity

Children Now (1999) conducted research in the late 1990s and found that there were six common types of representation of men in the media

  • The joker – uses laughter to avoid displaying seriousness or emotion
  • The jock – demonstrates his power and strength to win the approval of other men and women
  • The strong silent type (James Bond) – being in charge, acting decisively, controlling emotion and succeeding with women.
  • The big shot – power comes from professional status
  • The action hero – strong and shows extreme aggression and violence
  • The Buffoon – a bungling father figure, well intentioned and light hearted. (Homer). Hopeless at domestic affairs.

(Boys to Men: Media Messages About Masculinity, Children Now 1999).

The Crisis of Masculinity, the New Man and changing representations of masculinity

As with women, the changing roles of men in society are reflected in changing representations of men in the media.

Representations of men are moving away from absolute toughness, stubborn self-reliance and emotional silence with more male characters being comfortable with showing emotions and seeking advice about how to deal with the problems of masculinity.

There are also an increasing amount of images within advertising which encourage men to be concerned with body image and appearance as well as a sexualisation of male bodies, in which they are presented as sex objects for female viewing pleasure, much in the same way as female bodies have been traditionally been used by the media.