Category: representations

The Incredible Sexism of James Bond

I’ve been watching a few of the old James Bond movies since they’ve been on ITV recently. A few weeks ago I watched ‘Live and Let Die’ which was the first outing for Roger Moore, and originally aired in 1973, my birth year!

Besides being surprised that I didn’t remember most of it (I thought I’d seen enough Bond in my childhood to have these committed to memory!) I was pretty shocked at the incredible sexism of the movie.

This movie is a further example of just how sexist representations of women in the media were 50 years ago, there are other examples outline here.

I know that ‘classic Bond’ is well known for its dismal portrayal of women as nothing more than one dimensional sex-objects, but Live and Let Die must be a low-point for female representation.

Besides Miss Money-Penny there are only two other ‘significant’ female characters in the movie – both of whom James has sex with, and both of whom are rescued by James, although one of them dies.

Rosie Carver – a hapless double agent who Bond beds just before she dies

We’re introduced to Rosie Carver when Bond arrives in The Caribbean. She’s been assigned to help him, but she’s useless, being scared of snakes and not really having a clue what’s going on.

She resists his advances on their first night, but later on, when they’re approaching Tenanga’s Caribbean island hideaway, they pause for lunch and have sex (I know, it doesn’t make any sense whatsoever.)

Afterwards, Bond reveals that he knows she’s working for Tenanga and has been tasked with drawing him into a trap – she looks shocked and says ‘why tell me now after what we’ve just done’ – to which James replies something like ‘well I certainly wouldn’t have told you before’, or something like that.

She runs away and dies shortly afterwards – I guess now James has ‘had a go’ she’s not much use anymore anyway.

Solitaire – a virgin victim of slavery who Bond rapes

Solitaire (Jane Seymour) is a psychic medium being held captive by the main villain of the film – Tenaka, an opium dealer. Tenaka uses here psychic powers to help him make decisions about how to run his criminal empire – she’s a virgin, crucial to her having her psychic powers.

The first contact James has with her, when he falls into Tenaka’s Lair in the basement of a restaurant in New Orleans, he gets her to to do him a Tarot card reading, and the ‘lovers card’ is revealed, ‘that’s us’ he quips.

Fast Forward to later in the movie, when Solitaire is back on the isolated Caribbean Island which is Tenaka’s main base, James hanglides onto the island and sneaks into her chambers to enact a rescue, but not before manipulating her into having sex with him.

He gets her to choose a Tarot card, she picks ‘the lovers’ (note the paper-thin sub-plot) and they go and have sex – but a ‘cheeky’ camera shot reveals that James had stacked the entire Tarot deck with nothing but that one card.

So what we have here is James manipulating a virgin victim of modern slavery into having sex with him, I think that’s technically rape of a vulnerable adult, given that Bond deliberately used her beliefs against her to manipulate her into having sex with him, I don’t think we can call this informed consent.

Of course she wakes up wanting more, now sexually addicted to James. And of course all the while they’re in bed, they could have been escaping!

NB – Jane Seymour was 21-22 when the film was shot, Roger Moore was in his late 30s.

Relevance to A-level sociology

I know this example is almost 50 years old now, but it’s a particularly pertinent one to show just how bad sexual-stereotyping was in the early 1970s – Live or Let Die actually made a joke out Bond raping a vulnerable teenager held in slavery, as well as turning into part of his ‘masculine identity’.

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Applying material from Item B and your knowledge, evaluate the view that the media portray women in a stereotypical way [20 marks]

An essay plan covering some of the knowledge and evaluation points you could use to answer this question for AQA A-level sociology paper two: the media option.

You might like to review this post on how women are represented in the media before going through the plan below.

The item refers to three main types of stereotypical representations

  • A limited range of roles (Symbolic annihilation)
  • Concern with appearance (The Beauty Myth)
  • Women needing a partner

Symbolic Annihilation

  • Symbolic Annihilation (Tuchman, 1978) =  under-representation/ narrow range of social roles, gender stereotypes – housework and motherhood
  • ‘Mouse that Roared’ Henry Giroux – Disney Films – Snow White.
  • Gauntlett – increase in the diversity of representations, reflects wider social changes.
  • films with ‘strong’ lead female characters – e.g. Alien, Kill Bill, and The Hunger Games.
  • However, lead female characters are slim and attractive
  • The Bechdel Test.
  • Global Media Monitoring group (2015) – women in news – the overall presence of women as sources was 28%. largely confined to the sphere of the private, emotional and subjective, while men still dominate the sphere of the public, rational and objective.

The Beauty Myth

  • media present unrealistic and unattainable images of women which encourages women to worry unnecessarily about their looks (Naomi Wolfe).
  • Tebbel (2000) body and faces of real women have been symbolically annihilated, replaced by computer manipulated, airbrushed, artificially images.
  • Killborn – women presented as ‘mannequins’ – size zero, tall and thin, and with perfect blemish-free skin.
  • Orbach – media associates slimness with health, happiness, success and popularity
  • Recent evidence challenges Beauty Myth…. Backlash to 2015 Protein World’s ‘Beach Body Ready’ advertising campaign
  • Since 2015 increase in the diversity of representations of women in advertising: Dove‘s Real Beauty‘ campaign72 , Sport England ‘ This Girl Can‘ campaign.
  • 2017 – Advertising Standards Authority launched new guidelines on avoiding gender stereotyping in advertising, banned ads 2019.
  • UN women’s Unstereotype Alliance‘.

Women needing a partner

  • Ferguson (1980) – content analysis of women’s magazines from the end of WWII to 1980: cult of femininity: caring for others, family, marriage, and concern for appearance.
  • Ferguson: teenage magazines aimed at girls offered broader range of female representations, but still a focus on him, home and looking good for him.
  • However, McRobbie – Cosmopolitan has featured positive representations of young women as seeking to control their own lives rather than being dependent on men.

 

Representations of Ethnicity

black male stereotypes.PNG

Van Dijk (1991) conducted content analysis of tens of thousands of news items across the world over several decades and found that representations of black people could be categorised into three stereotypically negative types of news:

  • Ethnic minorities as criminals
  • Ethnic minorities as a threat
  • Ethnic minorities as unimportant.

Minority groups as criminals

Wayne et al (2007) found that nearly 50% of news stories concerning young black people dealt with them committing crime.

Cushion et al analysed Sunday newspapers, nightly television news and radio news over a 16 week period in 2008-9 and found that black young men and boys were regularly associated with negative news values – nearly 70% of stories were related to crime, especially violent gang crime.

They further pointed out that black crime is often represented as senseless or as motivated by gang rivalries, which little discussion of the broader social and economic context.

Back (2002) conducted discourse analysis of inner-city race disturbances and argued that the media tends to label them as riots, which implies they are irrational and conjures up images of rampaging mobs, which in turn justifies a harsh clampdown by the police.

There is little consideration given to the view that such disturbances may be the result of legitimate concerns, such as responses to police and societal racism, which need to be taken seriously.

Minority groups as a threat

In recent years media moral panics have been constructed around:

  • Immigrants, who are seen as a threat in terms of their numbers and impact on jobs and welfare services.
  • Refugees and Asylum seekers – analysis from the ICAR in 2005 noted that asylum seekers were often portrayed as being a threat to British social cohesion and national identity, with such people often blamed for social unrest.
  • Muslims – who are often portrayed as the ‘enemy within’

Moor et al (2008) found that between 2000 and 2008 over a third of stories focused on terrorism, and a third focused on the differences between Muslim communities and British society, while stories of Muslims as victims of crime were fairly rare.

They concluded there were four negative media messages about Muslims:

  • Islam as dangerous and irrational
  • Multiculuralism as allowing muslims to spread their message
  • Clash of civlisations, with Islam being presented as intolerant, oppressive and misogynistic.
  • Islam as a threat to the British way of life, with Sharia law.

Amelie et al (2007) focused on coverage of veiling as an Islamic practice, and found that media coverage tended to present this is a patriarchal oppressive practice, with little coverage focusing on the wearing of the veil as a choice.

Minority Groups as Unimportant

Van Dijk (1999) further noted that some sections of the media imply that white lives are more important than non-white lives.

He claimed, for example, that black victims of crime are not paid as much attention to as white victims of crime.

Shah (2008) claims that that the BBC engage in ‘tokenism’ – Black and Asian actors are cast as presenters or in roles just to give the appearance of ethnic equality, regardless of whether they ‘fit’ into the role.

The result is that many ethnic minorities do not identify with ethnic minority characters,

As a whole the mainstream media pays little attention to the genuine concerns and interests of ethnic minorities, because the mainstream media is dominated by a metropolitan, liberal, while, male, public school and Oxbridge educated, middle class elite.

Changing representations of ethnicity 

NB – the photo at the top of this post is actually taken from a recent campaign to challenge the black male criminal stereotype in the media… find out more in this BBC article.

Sources 

Chapman et al (2016) Sociology AQA A-level Year 2 Student Book

Analyse two reasons why the media portray minority ethnic groups negatively. [10 marks]

Read Item M below and answer the question that follows.

AQA 10 mark question item.PNG

Applying material from Item M, analyse two reasons why the media often portray minority ethnic groups negatively. [10 marks]

Commentary on the question

A non-standard question about representations, focusing on ‘why’ rather than on ‘how’ one group is represented. There are two clear hooks in the item – the first about power and the second just about difference, suggesting that candidates make two points – one from a broadly hegemonic perspective, the other focussing on the public/ pluralism.  Remember that you can pick up marks for evaluating in this type of 10 mark ‘with item’ question.

Before reading the answer you might like to review the material on ethnicity and representation, and some of the theories of ownership and control such as Pluralism, Instrumental Marxism and Hegemonic Marxism, all of which can be applied to this question.

Answer

The first reason why minority groups are represented negatively is because they have different values/ beliefs and practices from ‘mainstream’ society and are perceived by the wider public as not being fully integrated into the ‘British way of life’. The public at large is thus prejudiced against ethnic minorities, and anything which seems to threaten British identity.

By focusing on negative representations of minorities – Islamic terrorists, benefit claiming immigrants, Romanian beggars, for example, newspapers such as The Sun and the Daily Mail can sell more newspapers and make more profit – it is easier to do this by perpetuating stereotypes compared to running stories which challenge such negative representations.

It is relatively easy for papers to find stories about ethnic minorities which have many news values because some ethnic minorities do engage in activities which are ‘shocking’, and it’s maybe understandable why newspapers may choose not to publish stories in which minority groups are just ‘being British’ – because there’s nothing ‘newsworthy’ about such stories.

This theory fits in with the pluralist view – newspapers aren’t deliberately prejudiced against ethnic minorities, they just run stories which reflect public bias to increase profits.

Hegemonic Marxists would argue that ethnic minority groups are represented negatively because they are underrepresented in positions of power – both in society/ government and within the media itself.

According to Stuart Hall, ethnic minorities have been used as scapegoats for society’s larger economic problems – knife crime by black youths in London in the late 1970s was turned into a moral panic by negative reporting in the press, even though the rate of that crime was declining.

In a similar way gang crime today is largely constructed in the media as a black problem, rather than a multi-ethnic phenomenon.

A further reason why such negative representations are so common could be the lack of black voices among media professionals, meaning the white majority just go along with the racial victimization of young black youth by the government and police.

However, such negative representations may be changing in the age of New Media, which gives more power to ethnic minorities to challenge stereotypes and power inequalities in society more directly.

Media representations of social class

How are different social classes represented in the mainstream media? 

This post looks at how the monarchy, the wealthy, the middle classes, working classes and benefits claimaints (‘the underclass’) are represented, focusing mainly on British television and newspaper coverage.

Generally speaking the ‘lower’ the social class, the more negative the media representations are, arguably because the mainstream media professionals disproportionately come from upper middle class backgrounds.

NB Social class is  a tricky concept and you might like to review it here before continuing.

Media representations of social class.png

Representations of the Monarchy

According to Nairn (2019) after WWII the monarchy developed close ties with the media industry and worked with them to reinvent itself as ‘the royal family’ and since then they have been represented in the media as a family that are ‘like us but not like us’, and the narrative of their lives is presented as a soap opera, and is part of our day to day media fabric, which encourages us to identify with the royals.

Media representations of royalty also reinforce a sense of national identity: The Queen is the ultimate figure head of the country and royal events form part of our annual calendar, as well as the fact that royals are often in attendance at other national events, such as sporting events for example.

Media representations of wealth

The very wealthy are generally represented positively in the media, for example Alan Sugar and the Dragons on Dragons Den.

The constant media focus on the lifestyles of wealthy celebrities tends to glamourize such lifestyles, suggesting this is something we should all be aspiring to, rather than focusing on the injustice of how much these people are paid compared to ordinary people.

representations wealth media.PNG
Are the wealthy generally represented positively in the media?

The Middle Classes

Middle class (higher income) families seem to be over-represented on day time T.V. especially – in shows such as homes under the hammer, escape to the country and antiques shows featuring typically very high wealth/ income families, and yet presenting them as ‘the norm’.

Most T.V. presenters are middle class, and so they are more likely to identify with middle class guests compared to working class guests, reinforcing the concerns of former as more worthy of attention.

Most journalists and editors are privately educated which means that the news agenda is framed from a middle class point of views.

The working classes

There are relatively few shows which focus on the reality of the lives of working class people.

Mainstream soaps tend to be the most watched representations of the working classes

Jones (2011) suggests the working classes are represented as feckless racists who hate immigration and multiculturalism – coverage of Brexit seems to offer support for this.

Benefits claimants (‘The Underlcass’)

Coverage tends to focus on the poverty of individuals rather than the structural features of society such as government policy which created the underclass.

Media coverage of the underclass is generally negative and they are often scapegoated for society’s problems. Benefits Street is a good example of this.

Please see this extended post for more details on how the media portray benefits claimants in stereotypical ways.

 

 

Media representations of benefits claimants

In this post I summarize some recent sociological research which suggests newspapers and ‘reality T.V. shows represent benefits claimants in a limited range of stereotypical ways, focusing on them as lazy, undeserving scroungers engaged in immoral, wreckless and criminal behaviour.

A lot of the research below also reminds us that media representations in no way reflect the reality of being unemployed and claiming benefits in the UK.

This research is relevant to the A-level sociology media topic: representations of social class.

Stereotypes of benefits claimants in newspaper articles 

Baumberg et al’s (2012) research ‘Benefits Stigma in Britain’ analysed a database of 6,600 national press articles between 1995-2011.

Baumberg et al found an extraordinarily disproportionate focus on benefit fraud: 29% of news stories referenced fraud. In comparison the government’s own estimate is that a mere 0.7% of all benefits claims are fraudulent.

Common language used to describe benefits as ‘undeserving’ included:

  • Fraud and dishonesty (including those such as ‘faking illness’);
  • Dependency (including ‘underclass’ and ‘unemployable’);
  • non-reciprocity/lack of effort (e.g. ‘handouts’, ‘something for nothing’, ‘lazy’, ‘scrounger’); •
  • outsider status (e.g. ‘immigrant’, ‘obese’)

Language used to describe benefits claimants as ‘deserving’ included:

  • need (‘vulnerable’, ‘hard-pressed’);
  • disability (‘disabled’, ‘disability’).

In general, Tabloid newspapers such (especially The Sun) focused on representing benefits claimants as undeserving, while broadsheets such as The Guardian were more likely to focus on representing benefits claimants as ‘deserving’.

news reporting unemployment.jpg

NB – The Sun and The Mail are Britain’s two most widely circulated newspapers. 

Stigmatising benefits claimants

Finally, the study found an increase in articles about benefits claimants which focused on the following stigmatising themes:

  • fraud
  • ‘shouldn’t be claiming’ (for reasons other than fraud)
  • never worked/hasn’t worked for a very long time
  • large families on benefits
  • bad parenting/antisocial behaviour of families on benefits
  • claimants better off on benefits than if they were working
  • claimants better off than workers
  • immigrants claiming benefits

More neutral/ positive themes included:

  • compulsion of claimants (e.g. workfare, benefit conditionality)
  • cuts to benefits
  • need

As with the themes of ‘deserving’ and ‘undeserving’, Tabloids produced more stigmatising content than the the broadsheets.

negative reporting benefits claimants.jpg

Stereotypes of benefits claimants in reality T.V. shows 

Ruth Patrick (2017) has analysed the representations of those on benefits and in poverty on reality television shows such as ‘Benefits Street’ and Benefits Britain: Life on the Dole.

The number of such shows has exploded in recent years, but while they claim to provide and honest ‘realistic’ insight into  lives of Britain’s benefit claimants and those living in poverty, Patrick and others argue they are sensationalised and present stereotypical representations of those on welfare.

If we look at the opening scenes for the first series of Benefits Street for example, these featured:

  • sofas on the pavement,
  • men on streets drinking cans of lager,
  • women smoking cigarettes on their doorsteps.

Overall such shows present benefits claimants as lazy shirkers who don’t want to work, and as people who are different to the hard-working majority.

Such shows emphasize the difference between the working majority (‘us’) and the workless minority (‘them’) and invites us to identify ourselves against benefits claimants, and possibly to see claiming benefits as something which is a choice, long term and morally wrong, rather than as something which is a necessity, usually a short term stop-gap before a return work.

This interview with Jordan, who took feature in Benefits Britain as a claimant offers an insight into how negative representations of the unemployed are socially constructed by media professionals:

Jordan claims that he usually keeps his flat tidy, but was told by the producers to deliberately not tidy it up before they came round to shoot, because it would make people feel more sorry for him.

He also claims that the media crew bought alcohol and cigarettes for the shoot, and told the ‘claimants’ that if they didn’t consume them before the shoot was over they’d take them away again, which led to lots of images of the cast drinking and smoking, when Jordan claims he would only usually do this on special occasions.

Relevance of this to A-level Sociology/ Media studies….

It’s easy to fall into the trap of thinking that newspapers and ‘reality’ T.V. present you with the reality of ‘life on benefits’ – in fact both of these sources present highly sensationalised accounts of what it’s like to actually be unemployed.

All of the above research is based on careful content analysis which picks out the main ways in which benefits claimants are stereotyped and thus represented in a limited way.

This post has only focused on representations, forthcoming posts will focus on why mainstream media professionals choose to represent benefits claimants in negative, stereotypical ways.

Sources 

 

Representations of Disability

Sociologists have argued that the media historically represents disabled people in a limited range of stereotypes, such as objects of pity, unable to participate fully in social life, and in need of our help.

Stereotypes of disability

Barnes (1992) identified a number of recurring stereotypes of disabled people including:

  • Pitiable and pathetic – a staple of television documentaries, which often focus on disabled children and the possibilities of miracle cures

disability stereotypes pity.PNG
The Elephant Man – an object of pity?

  • Sinister and evil – for example Villains in James Bond movies often have physical impairments
  • Atmospheric or Curio – where disabled people are included in drama to enhance atmosphere of menace, unease, mystery or deprivation.
  • Super-cripples – the disabled are sometimes portrayed as having special powers, for example blind people might be viewed as visionnaires with sixth sense.
  • Sexually abnormal – the media usually treat the disable as having no sense of sexuality, but when they do there are represented as sexually degenerate.
  • Incapable of participating fully in community life – disable people are rarely show as integral and productive members of working society – Barns calls this the stereotype of omission.

Telethons and disability 

Paul Longmore (2016) suggests that telethons historically present disabled children as people who are unable to participate fully in community life (sports/ sexuality) unless they are ‘fixed’.

Telethons put the audience in the position of givers and reinforce the idea that the disable receivers should be dependent on their able bodied donors.

Because telethons are primarily about raising money rather than raising awareness of the reality of being disabled, they may end up reinforcing stereotypes of disabled people.

children in need stereotypes disability.PNG
Does Children in Need reinforce disability stereotypes?

Newspaper representations of the disabled

Williams-Findlay (2009) examined the content of The Times and The Guardian to see whether the coverage of the disabled had changed between 1989 and 2009.

Williams-Findlay found that the use of stereotypical words had declined in those 20 years, but that stereotypical representations were still present in 2009 because journalists still assumed that disability was ‘tragic’.

Watson et al (2011) compared tabloid media coverage of disability in five newspapers in 2004-5 with coverage in 2010-11 they found that:

  • There had been a significant increase in the reporting of disability
  • The proportion of articles reporting disability in sympathetic and deserving terms had fallen.
  • In 2010-11 the reporting of groups with mental disabilities was particularly negative, often associated with them being welfare scroungers.
  • Articles focusing on disability benefit fraud increased threefold between 2005 and 2011.

Changing representations of disability?  

The recent Channel 4 show ‘The Undateables‘ has certainly made disabled people more visible in the media…. but whether or not these are positive representations or whether they reinforce stereotypes is a matter for further analysis and debate!

the undateables.PNG

More to follow…. 

This is an initial ‘place holder post’ TBU shortly!

Sources 

Chapman et al (2016) Sociology AQA A-level Year 2 Student Book

 

Media representations of age

This post focuses on some of the ways in which the mainstream media represent children, youth and the elderly.

Media representations of children

Children are often represented as vulnerable and as being in need of adult protection, which ties in with the way in which childhood is socially constructed in contemporary society.

The advertising industry represents children as consumers, possibly deliberately to socialise them into becoming consumers in later life, and to increase peer-pressure demand for their products.

Youth and Children’s Work has suggested that there are five major types of youth stereotype

  • Irritating/ annoying
  • Binge drinking/ drug addicted
  • The drain on society
  • The entrepreneurial go-getter
  • The exceptional super achiever.

Media representations of youth

Young people are largely represented in terms of lifestyle and identity, with much of the music and fashion industries aiming their products at young people.

Young people (teenagers especially) are also disproportionately likely to be represented as a problem – with a considerable amount of news coverage being devoted to youth gangs, crime and antisocial behaviour, rather than the challenges facing teenagers or the positive things young people do.

Historically, youth subcultures have been the focus of media led moral panics, which have tended to exaggerate the deviance of young people and sometimes increased public panic about youth subcultures, as Stan Cohen found in his classic study of the Mods and Rockers.

Charlotte Kelly (2018) has conducted research on the language used by journalists to describe young people who come into contact with the law and found there are three major types of representation:

  • Young people are dangerous
  • Young people are in need of protection
  • Young people are immature.

However, some documentaries do portray the complex issues young people face today, such as the recent spate of schools documentaries such as ‘Educating Essex’ etc, and in contemporary sitcoms such as Derry Girls.

Representations teenagers TV.PNG

Media representations of old age

Age Concern (2000) identified three key media stereotypes of the elderly. Old people were disproportionately represented as:

  • A burden
  • Mentally challenged
  • Grumpy

Lee et al (2007) conducted a study of adverts and found that old people were underrepresented, appearing in only 15% of ads, but of those 15%, more than 90% of representations were positive – portraying elderly people as ‘golden agers’ enjoying healthy, active lifestyles.

There are also significant gender differences in the way old people are represented in the media: older men are much more visible in the media than older women, and older men are much more likely to be associated with high status and work while older women are generally associated with the family and poverty.

This is very much a simplified post on this topic, more detailed investigative posts to follow! 

Sources 

Chapman et al (2016) Sociology AQA A-level Year 2 Student Book

Representations of sexuality in the media

Media representations of sexuality have historically been mostly heterosexual, with LGBT representations being largely invisible.

Batchelor et al (2009) found that when gay representations did appear in the mainstream media, they weren’t generally ‘integrated’ into plot lines, but rather gayness was part of the plot, seen as a source of anxiety, or as a target of teasing or bullying.

Dyer (2002) observed that ‘the person’s person’ alone does not show that a person is gay, and that the media have constructed stereotypical signs of ‘gayness’ which include certain facial expressions, vocal tones, stances or clothing.

Craig (1992) identified three media signifiers of gayness

  1. Camp – the ‘flamboyant figure of fun’ – a ‘non threatening’ representation of gayness, lying somewhere between male and female and one of the most widely found representations
  2. Macho – An openly sexual look which exaggerates aspects of traditional masculinity, as exemplified by the village people.
  3. Deviant – where gay people are portrayed as evil or devious, possibly as sexual predators or who feel guilty about their sexuality. Such representations seem to construct homosexuality as morally wrong.

Research Conducted by Stonewall (2011) concluded that the LGBT community were being subjected to symbolic annihilation. They found that LGBTs were disproportionately consigned to the status of comedic relief – their characters presented as something to laugh at or deride. This was especially found to be the case with representations of lesbianism, frequently presented as over-sexualised and exotic, for male’s viewing pleasure.

Out of a total of 126 hours of television programmes analysed:

  • 5 hours and 43 minutes focused on LGBT related issues or characters
  • 46 minutes portrayed them realistically or positively.

Stoenewall noted that the majority of the coverage represented gays in particular as:

  • Unhappy and distressed about their sexual orientation
  • As people who had been bullied and rejected by their families

There was very little reference to lesbians or transsexuals.

A recent book Killing Off the Lesbians by Liz Millward, Janice G. Dodd and Irene Fubara-Manuel (McFarland, 2017) has analysed how Lesbian characters tend to get killed off early in movies and TV shows.

Changing representations of LGBTQs in the Media 

There are several examples of contemporary shows which have LGBT characters , and in which sexuality is largely incidental to the plots in the show, and only part of the character’s identity, rather than them being subsumed by it, as was so often the case in early representations.

Probably the most obvious example of this on British Television is Doctor Who – which has featured several gay characters in recent series.

In the USA (not UK unfortunately) GLAAD conducts an annual content analysis of the representation of LGBT characters.

Their 2019 report summarised  content analysis of 111 primetime shows with 857 series regular characters broadcast on the main USA networks (ABC, CBS, The CW, FOX, and NBC).

They found that 8.8 percent of ‘series regular characters’ were LGBT,

LGBT media.PNG

This was an increase of 2.4 percentage points from the previous year’s 6.4 percent. This is the highest percentage GLAAD has found since it first gathered data in the 2005-06 season.

Of the 8.8% of LGBT characters

  • 42% were gay men (a total of 47 characters)
  • 25% were lesbian
  • 29% were Bi+ characters make up 29 percent
  • 4% were transgender characters

The report also noted that last year, out bisexual actor Alan Cumming was the first gay lead in a U.S. scripted broadcast drama on CBS’ new series ‘Instinct’.

representation LGBT media.PNG

However, closer analysis may reveal that although representation of LGBT characters is more common than ever, these representations may not be that positive compared to straight characters. Stefania Sarrubba argues that all of the LGBT characters in Game of Thrones are killed off before the end of the series, except for Yara Greyjoy, who does something powerful at the end of season eight (takes back the Iron Islands), but we don’t actually see this: the show ends focusing on all the straight characters. 

 The LGBT community and new media

The representations of LGBTs on new media are generally more positive than in mainstream media, possibly because the content is user-generated.

Social media sites have been used to generate support for same sex marriages and companies such as Facebook and Twitter seem to be broadly supportive of the LGBT community.

Facebook highligeted its support for the LGBT community with its Celebrate Pride Rainbow Filter in 2015 and there were 3.6 million tweents in 2015 that used the #lovewins relating to the Supreme Court’s decision to legalise same sex marriage.

However, research by the University of Alberta tracked all public tweets in the period 2012-15 that used four negative terms about the LGBT community and recorded 56.5 million homophobic comments.

In 2018 Stonewall recently launched its BAME LGBTQ voices documentary series to give more a voice/ presence to the diverse range of ethnicities and sexualities which are often under-represented in mainstream media, one such example:

BAME LGBT media stonewall.PNG

Sources and Signposting

This material is mainly relevant to the media studies option within A-level sociology.

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