If you want an alternative point of view on the Taliban’s take over of Afghanistan, you should try following @janeygak on twitter.
She is pro-Taliban, anti-American, anti-liberal, and very active on twitter – constantly putting out tweets and re-tweets, such as this, stating that she doesn’t care about inclusivity or diversity in the Taliban government…..
And this is her take on capital punishment, she supports it…
NB – the account is semi-anonymous, I’m going with this article from CNN as confirmation that this is a woman rather than a man.
Either way, whatever the gender, it’s a great source to see the perspective of the other – most definitely NOT the mainstream American liberal view of what’s happening in Afghanistan at the moment.
NB – I don’t endorse any of her views, or those she retweets, this is strictly in the interests of giving some exposure to, a voice to someone actually inside Afghanistan, and it should help bust a few myths about how the ‘oppression of women’ works in Afghanistan.
This particular woman certainly isn’t oppressed.
NB – she’s also a bit fan of Bitcoin, in fact she provides a link to her Bitcoin wallet in her profile, and the reason she supports this cryptocurrency is because it’s a means whereby countries such as Afghanistan can break their dependence on US Aid and the US dollar more generally.
I’ve been watching a few of the old James Bond movies since they’ve been on ITV recently. A few weeks ago I watched ‘Live and Let Die’ which was the first outing for Roger Moore, and originally aired in 1973, my birth year!
Besides being surprised that I didn’t remember most of it (I thought I’d seen enough Bond in my childhood to have these committed to memory!) I was pretty shocked at the incredible sexism of the movie.
This movie is a further example of just how sexist representations of women in the media were 50 years ago, there are other examples outline here.
I know that ‘classic Bond’ is well known for its dismal portrayal of women as nothing more than one dimensional sex-objects, but Live and Let Die must be a low-point for female representation.
Besides Miss Money-Penny there are only two other ‘significant’ female characters in the movie – both of whom James has sex with, and both of whom are rescued by James, although one of them dies.
Rosie Carver – a hapless double agent who Bond beds just before she dies
We’re introduced to Rosie Carver when Bond arrives in The Caribbean. She’s been assigned to help him, but she’s useless, being scared of snakes and not really having a clue what’s going on.
She resists his advances on their first night, but later on, when they’re approaching Tenanga’s Caribbean island hideaway, they pause for lunch and have sex (I know, it doesn’t make any sense whatsoever.)
Afterwards, Bond reveals that he knows she’s working for Tenanga and has been tasked with drawing him into a trap – she looks shocked and says ‘why tell me now after what we’ve just done’ – to which James replies something like ‘well I certainly wouldn’t have told you before’, or something like that.
She runs away and dies shortly afterwards – I guess now James has ‘had a go’ she’s not much use anymore anyway.
Solitaire – a virgin victim of slavery who Bond rapes
Solitaire (Jane Seymour) is a psychic medium being held captive by the main villain of the film – Tenaka, an opium dealer. Tenaka uses here psychic powers to help him make decisions about how to run his criminal empire – she’s a virgin, crucial to her having her psychic powers.
The first contact James has with her, when he falls into Tenaka’s Lair in the basement of a restaurant in New Orleans, he gets her to to do him a Tarot card reading, and the ‘lovers card’ is revealed, ‘that’s us’ he quips.
Fast Forward to later in the movie, when Solitaire is back on the isolated Caribbean Island which is Tenaka’s main base, James hanglides onto the island and sneaks into her chambers to enact a rescue, but not before manipulating her into having sex with him.
He gets her to choose a Tarot card, she picks ‘the lovers’ (note the paper-thin sub-plot) and they go and have sex – but a ‘cheeky’ camera shot reveals that James had stacked the entire Tarot deck with nothing but that one card.
So what we have here is James manipulating a virgin victim of modern slavery into having sex with him, I think that’s technically rape of a vulnerable adult, given that Bond deliberately used her beliefs against her to manipulate her into having sex with him, I don’t think we can call this informed consent.
Of course she wakes up wanting more, now sexually addicted to James. And of course all the while they’re in bed, they could have been escaping!
NB – Jane Seymour was 21-22 when the film was shot, Roger Moore was in his late 30s.
Relevance to A-level sociology
I know this example is almost 50 years old now, but it’s a particularly pertinent one to show just how bad sexual-stereotyping was in the early 1970s – Live or Let Die actually made a joke out Bond raping a vulnerable teenager held in slavery, as well as turning into part of his ‘masculine identity’.
Birth rates have been falling for decades, in practically every country on earth. But not only are women having fewer children, more women are remaining childless for their entire lives.
15% of women in the United States now remain childless into their late 40s.
However, this choice to remain child-free isn’t one that comes easy.
The Guardian newspaper recently released some videos of interviews with women of various different ages who have chosen to remain childless reveal the fact that they often have to battle against the social norm that they should become mothers.
All of the women in this video explain that they were brought up with the norm that ‘normal’ women wanted children and would at some point have children.
They say that most of the subtle pressure to have children comes from their families, their own mothers and female relatives, but also their female friends and work colleagues.
If they tell a work colleague that they don’t want kids, the typical response back is that ‘you’ll want them one day’, as if the already-mothers or ‘pro-mums to be’ brush off their ‘not wanting kids’ attitude as temporary insanity, and thus to be disregarded.
One of the interviewees talks about how not having kids was never presented as a choice to her during early socialisation – it wasn’t until she was a teenager that she came across the idea that remaining childless was a legitimate choice for women.
She starts off pointing out the obvious freedoms that come with being childless – such as being able to pick up and move and switch jobs/ set up businesses/ go travelling whenever she likes, but she also says she has found freedom in a more profound sense – the freedom to be creative and to pursue and to develop her own career as she sees fit.
Finally, Neumann says that having remained child-free until her menopause has given her a fresh perspective on the whole status of childless women, and she presents a broadly radical-feminist that sees becoming a mother as the main event that locks women into traditionally gendered carer-roles , chained because they are mothers.
She also reminds us that all other things being equal it is much easier to free yourself form an abusive relationship if you have your own income, which is much more likely if you are not a mother!
There is a cost to remaining childless:
Women who remain childless have to pay for it:
Quite literally pay for contraception, and possibly abortions (she’s had two)
You have to be mentally disciplined enough to stick to a contraceptive routine.
You have to put up with the ‘too-personal inquiries’ in to why you’ve never had children (our female bodies are never our own),
And you have to suffer the loss of social status that comes with being motherless, as ‘mothers are the moral future of the nation’.
Back in Time for the Factory is a really useful documentary series from the BBC which explores how working class women’s working rights have changed since 1968.
The documentary consists mainly of ‘historical reenactment’ in which a number of ordinary women (and some men) go into a garment factory in Wales and work as women would have done through the last few decades.
This real life historical re-enactment is supplemented with interviews with older women who really lived through the 1960s, 70s and 80s, and with footage of news clips which document significant events – such as the various strikes which women organised in order to get equal pay.
The documentaries might be a bit long-winded to watch in their entirety, but selected clips will certainly give you a feel for the gender inequalities in the workplace in the late 1960s, how women campaigned for equal pay (with very little support from men early on) and how employers tried to dodge paying women the same as men by re-grading certain jobs after the initial equal pay acts of the 1970s!
50 years ago, Britain was a manufacturing powerhouse, with an astonishing 34% of the population working on a manufacturing production line. Factories mostly employed women – hundreds of thousands of them, who made our clothes, telephones and televisions.
The factories were centred on areas of high unemployment like the south Wales valleys and by employing so many women and girls they were at the forefront of a change in British society. But the women who would drive that change were poorly paid, unfairly treated and denied basic rights.
Women’s Working Rights 1968-1972
Starting in 1968 when 85% of all our high street clothes were made in the UK, the women experience the realities of working life for women in these three crucial decades – from the excitement of being out in the work place to the pressures of ever increasing targets, the camaraderie of the factory floor and fun-filled evenings at the social club. Most eyeopening of all is the contents of their wage packets – revealing to our modern workers the deeply ingrained attitudes towards women’s work as inferior and helping them understand what galvanised a generation to fight for change.
The workers start their journey in 1968, when The Beatles and Tom Jones are topping the charts, Labour’s Harold Wilson is Prime Minister and big hair abounds. It is also the year the female strikers of Dagenham brought the Ford factory to a standstill and the question of women’s pay into the headlines. Their first task is to produce pink nylon petticoats – a staple of British women’s wardrobes in an era when only 30% of houses had central heating. The reality of the production line is a rude awakening for many – long monotonous hours with short breaks and few distractions – a situation made worse for some of our women when they discover that it’s legal to refuse to serve an unaccompanied woman in a public bar.
But that is far less of a shock than the moment they open their pay packets and realise some of them are being paid less than half the rate of the men on the factory floor.
Women in the Factory 1973-1975
The second episode starts in 1973, but even though the Equality Act had been passed in 1970, the women discover that things are still far from equal on the factory floor as the factory bosses had been given five years to bring in the changes.
The workers also get to experience the upsides of factory work – enjoying the range of clubs and activities which factory bosses supported while manufacturing was still thriving.
Episode three starts in 1976 when the Sex Discrimination Act had been passed and the Equal Pay Act had finally come in to force the year before.
However, by 1976, women were still earning only 74 per cent of the male hourly rate as employers all over the country found loopholes to avoid paying women more.
Feminism is in full-swing in the mid 1970s and the women have to decide whether they will strike for further equality in an age of uncertanity, navigating the world of pickets, banners and crossing the line.
Off the production line, the factory holds its own beauty pageant – an event companies all over Britain would have been happy to support as part of social life of the workplace. No beauty contest was complete without the glamour of the swimsuit round, and our factory pageant is no different. But how will the modern women feel about parading in their swimming costumes? Less
Working women… 1983 Onwards
The fourth episode starts in 1983, four years after Margaret Thatcher came to power. While that event may make you think that women have achieved equality, the working class women in the Welsh factories had another fight on their hands in the 1980s – the fight for their jobs in the age of neoliberalism!
Why do women offend, reoffend and how do we break the cycle?
This recent Positive Thinking Podcast on radio 4 (30 December 2019) explores why women offend, reoffend and how to break the cycle.
It has obvious relevance to the Crime and Deviance module and this is also an excellent example of a Feminist inspired programme, with the focus on stories rather than stats and solutions rather than causes.
Women make up a tiny proportion of the overall prison population and are twice as likely as men to be given a short sentence (of two years or less). However, the reoffending rates for women given short sentences is around 70% compared to men’s which is 20%.
It’s suggested that short prison sentences hit women a lot harder than men, especially the 50% of them who have children. A short sentence is just enough to mess up their lives and break down their social and emotional support networks, but not enough time for them to receive the structured support/ therapy that might help them break out bad habits such as substance abuse, for example.
The programme is co-presented by an ex-offender, Whitney, who has had 10 convictions for offences such as drugs and carrying weapons, and has spent time in jail. The programme focuses a lot on her story about why she started and continued offending ( rather than focusing on statistics) but its real focus is on solutions.
Whitney’s case is presented as ‘typical’ and it’s pretty bleak (well worth a listen first five mins of the podcast) – she was abused as a four year old by someone known to the family, and taken into foster care at 7 years of age along with here siblings, then spent the next several years in various foster homes, making 47 run-away attempts during that period. She was also excluded from multiple schools.
Eventually the authorities let the siblings go back and live with their mother, it seems because of their belligerence, but rows happened between Whitney and her mother, and that’s where her criminal record started. However, it was getting caught carrying a knife that led to her first jail sentence – she never used or drew the knife, just carried it for self defence, and she didn’t actually get a jail sentence for carrying it – she got sent down for failing to stick to the restrictions but on her as part of her remand-sentence – interfering with her tag and staying out clubbing after curfew.
She describes going to jail for 2 months as something which ‘broke her’ – she says she saw women going and coming back during that time, saw and learnt things that maybe she never should have.
Probably the most interesting section is when Whitney asks ‘could I as a four year old stopped myself from being abused? Could I as a 7 year old stopped my siblings being taken into care?’
The answer – ‘Probably not’ reminds us that Whitney is actually a victim of abuse, and that’s the root cause of her offending behaviour, so maybe being tough on such people by giving them prison sentences is not the right answer, especially when the stats show that prison does very little to break the cycle of offending.
Solutions – breaking the cycle of offending
The show looks at three projects working on solutions – one of the most interesting is a hair dressing salon in Dagenham, Essex, in which one enterprising woman trains ex offenders and drug users in level one hair dressing.
Part of the reason this works is that hairdressing is very social, and so it gives the students a connection to ‘normal’ life – and the feeling that ‘other people’ are interested in them – one student referred to didn’t have that as all she’d ever known was abusive relationships.
This project is really about going back to the very basics and just giving women the building blocks to structure their lives, and it seems to work – out of more than 40 people who took the course, only 3 didn’t complete it – 1 died and 2 went back to their own ways.
An essay plan covering some of the knowledge and evaluation points you could use to answer this question for AQA A-level sociology paper two: the media option.
You might like to review this post on how women are represented in the media before going through the plan below.
The item refers to three main types of stereotypical representations
A limited range of roles (Symbolic annihilation)
Concern with appearance (The Beauty Myth)
Women needing a partner
Symbolic Annihilation (Tuchman, 1978) = under-representation/ narrow range of social roles, gender stereotypes – housework and motherhood
‘Mouse that Roared’ Henry Giroux – Disney Films – Snow White.
Gauntlett – increase in the diversity of representations, reflects wider social changes.
films with ‘strong’ lead female characters – e.g. Alien, Kill Bill, and The Hunger Games.
However, lead female characters are slim and attractive
The Bechdel Test.
Global Media Monitoring group (2015) – women in news – the overall presence of women as sources was 28%. largely confined to the sphere of the private, emotional and subjective, while men still dominate the sphere of the public, rational and objective.
The Beauty Myth
media present unrealistic and unattainable images of women which encourages women to worry unnecessarily about their looks (Naomi Wolfe).
Tebbel (2000) body and faces of real women have been symbolically annihilated, replaced by computer manipulated, airbrushed, artificially images.
Killborn – women presented as ‘mannequins’ – size zero, tall and thin, and with perfect blemish-free skin.
Orbach – media associates slimness with health, happiness, success and popularity
Recent evidence challenges Beauty Myth…. Backlash to 2015 Protein World’s ‘Beach Body Ready’ advertising campaign
Since 2015 increase in the diversity of representations of women in advertising: Dove‘s Real Beauty‘ campaign72 , Sport England ‘ This Girl Can‘ campaign.
2017 – Advertising Standards Authority launched new guidelines on avoiding gender stereotyping in advertising, banned ads 2019.
UN women’s Unstereotype Alliance‘.
Women needing a partner
Ferguson (1980) – content analysis of women’s magazines from the end of WWII to 1980: cult of femininity: caring for others, family, marriage, and concern for appearance.
Ferguson: teenage magazines aimed at girls offered broader range of female representations, but still a focus on him, home and looking good for him.
However, McRobbie – Cosmopolitan has featured positive representations of young women as seeking to control their own lives rather than being dependent on men.
In 2017 the Advertising Standards Authority published a report on gender stereotypes in advertising, prompted (among other things) by the hundreds of complaints it had received from the public about Protein World’s 2015 ‘Beach Body Ready’ advertising campaign.
That particular advert led a public backlash, with several people posting images of themselves and their ‘ordinary’ bodies in bikinis, vandalism of some the posters, as well as making the advertising industry reflect on how it should be representing women.
The ASA’s 2017 report identified six categories of gender stereotypes in adverts:
Roles Occupations or positions usually associated with a specific gender
Characteristics Attributes or behaviours associated with a specific gender
Mocking people for not conforming to stereotype or making fun of someone for behaving or looking in a non-stereotypical way
Sexualisation Portraying individuals in a highly sexualised manner
Objectification Depicting someone in a way that focuses on their body or body parts
One example is Volkswagon’s recent electric Golf ad which shows men actively doing a range of dynamic activities (such as exploring space) and closes with a woman passively sitting on a bench with a pram, watching the car go by:
A second example is this Philadelphia ad, which was banned for depicting men as poor child carers, with one of them accidentally putting his child on a food conveyor belt in a restaurant:
An effective mechanism for combating gender stereotypes in advertising?
The very fact that the ASA is now censoring ads for representing men and women in narrow stereotypical ways suggests that we should see less gender stereotyping in adverts in the future: now that ads have actively been banned from UK screens for failing to conform to these new standards, it should make ad makers more sensitive to how they represent men and women: it doesn’t take a great deal of thought to avoid stereotyping, after all, and surely most ad makers would rather make ads that can be broadcast as widely as possible, especially in countries with large consumer economies like the U.K.
The limitation of this is that the ASA only has the power the censor in the United Kingdom, not globally, and the U.K. only makes up 1% of the global population!
Men are enjoying more leisure time than they did 15 years ago, while women have less. according to the latest stats from the Office for National Statistics.
In 2015 Men spent 43 hours a week on leisure activities, up from 42.88 hours in 2000. In the same period, women’s leisure time fell to 38.35 hours, from 39.24 hours.
NB – it doesn’t matter what age group we’re taking about, men have more leisure time than women (unlike the pay gap, which ‘switches’ in the 20s and 30s.)
Over a 40 year period, this means that men have 9672 more hours of leisure time than women, or just over 600 days (calculated by diving the original time by 16 to reflect the number of waking hours in a day), or getting on for 2 years….
I want to blame this on the X box, but other surveys suggest that one reason for this is that women spend more time caring for adult relatives than men.
This is good evidence supporting the view that the gendered division of labour is still not equal, in fact it’s suggesting the trend towards equality is reversing!
The Women of the World Festival (WOW), or to give it its full title – The Women of the World Festival for Women Who Can Afford a £20 Day Ticket, makes for a nice little day-trip for A-level sociology students, assuming they can afford the >£20 ticket for the day.
The Festival allows students to listen to talks and engage in discussions on all sorts of topics relevant to the A-level sociology syllabus, and this year’s agenda (focusing on the Friday) is especially relevant: with focus groups on both education and crime and deviance, not to mention a ‘gamalan’ workshop.
I would say see you there, but I let the two women I work with organise this trip, so you’ll see there if you fancy it! I’ve heard it’s a great day out.
Formula one is getting rid of its grid-girls: the scantily clad, typically young attractive women who hold up a card telling drivers where to start.
Most Feminist leaning commentators, such as Janet Street Porter, see this as progress for gender equality and women’s rights: employing women just as ‘eye candy for men’ or ‘set dressing’ is just another example of sexism in which women are ‘valued’ merely for their looks, and is thus just another example of the objectification of women. Also being given the boot is the leering and bum-pinching from male mechanics which goes along with the job, according to Beverly Turner who covered the sport between 2001 to 2003.
However, writing in the Sunday Times, Camilla Long criticizes middle class Feminists for effectively ‘slut shaming’ the grid-girls, and effectively dismissing their working-class sister’s right to choose.
Meanwhile, some of the grid-girls themselves aren’t particularly happy about their chosen careers being given the axe either: Rebecca Cooper, for example, argues that it’s their choice to do what they do, most of them are fans of the sport, and the whole cat-calling thing: you get that everywhere in life anyway.
Finally, it’s worth reflecting on where we stand on women using their sexuality to make money more generally: if we are in the camp which thinks sex-work and pornography are ‘empowering for women’, we are going to have to be pretty nuanced in our critique of Grid-Girls!
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